Sakifo & IOMMA

" TEDDY BOY KILL WINS INDIA SHOWCASE AT IOMMA 2013 " - Indiearth.com # DOUBLE BANGERS ! T.B.K SET FOR SAKIFO MUSIK FESTIVAL : REUNION ISLANDS : IS HERE : JUNE 2th-10TH 2013.This June, Teddy Boy Kill will represent a distinct taste within Indian Electronica at not one, but two international events in Saint Denis, Reunion Island ! Recently selected as winner of IndiEarth’s IOMMA 2013 competition, Teddy Boy Kill has won the hearts of the good folks over at Sakifo Records, currently setting up their music festival – Sakifo Muzik Festival, Saint Pierre, Reunion Island – 7th – 9th June 2013. The festival, a landmark event in the region, is now in it’s 14th year .. READ MORE AT INDIEARTH

























Dark Robot # Advance Copy


Greetings from the Dark Robot !

5 singles / Art Robot / Live Tracks .
COMPLETE 20 SONG ALBUM OUT THIS MAY 2013 !

ADVANCE COPY  - DOWNLOAD  

http://www.mediafire.com/08ow4wx2oolgcj



Art Robot!







NEW ALBUM STATUS : Mixed / Release Ready # 20 SONGS # LONG FORMAT AUDIO AFFECTION # 
A u d i o P e r v e r t  - DarkRobot™ - MAY 2013 !





BASS STATION II - hands on here !



( Via Peter Kirn @ http://createdigitalmusic.com )
Novation’s BassStation II, a US$500 street all-analog monosynth, is already big news. If Korg is bringing back the late 70s/early 80s sound in an analog keyboard, Novation is giving us the early 90s.
And since sound is what it’s really all about, we wanted to get a hands-on with the actual sounds of the BassStation II. I recorded directly from the line out on the BassStation (only a mixer in between), into Sonoma WireWorks’ GuitarJack Model 2 for iOS. (That interface, by the way, sounds and feels terrific.)
The BassStation II so far shows some serious promise, something that should work out to be a nice follow-up to the original. However, the two prototypes at Musikmesse were also really prototypes. Firmware is still unfinished, and it shows. Some features simply weren’t working at all, some caused unexpected behavior, and some knob ranges seemed they might still be tuned. Now that I’m personally involved with the development process of a hardware synth, I can tell you this stuff is pretty much part of the process – halfway through that process, not everything works.
But the analog innards of the BassStation II seem to be well along, and so the character of the synth comes through.
Experts at Novation played these sound samples for us live, choosing from presets, and then he and I twiddled with knobs. These are sound samples, not music making, in the hopes of giving you a sense of some of the range of the instrument’s timbres. I also asked Chris to go a little crazy (and did so ourselves) on the sounds for some of the more out-there noises you can coax from the instrument ... And especially for all those dubstep bass heavy honcho producers and nerds !

LEADING NEWS IN ELECTRONIC MUSIC/ARTS/SOFTWARE/HEDONISM
http://createdigitalmusic.com // http://createdigitalmotion.com/


They believe in PLUR

America butchered electronic dance music (EDM). In ways, more visible than a while ago. The capitalization and industrial roll-down of EDM in the new millennium, at the hands of the corporates, the stars, event leaders, the bloggers, new producers, DJ's and the 'social eye-candy' rising out of America has heralded the Decapitation of EDM ! Almost erie, as an unfulfilled requiem beaming from the erstwhile automobile wastelands of Detroit and Chicago. Most American fans, followers and worshipers of EDM are pre-apocalyptic and running from a collapsing economy, add the globalization and overkill of hip-hop. Mislead by the larger-than-life promises of automation ! They believe in PLUR - " Peace Love Unity Respect "  It reads almost as an Erasmus Community motto, as it reflects the abject lack of taste and admiration for the actual music, which was seldom based on Peace - The Love, that was bolstered by galactic amounts of psychotropics and amphetamines - Unity, which was held only with progressive vision and challenging sounds - Respect, which was felt out of fierce independence, and not n-thousand face-book likes ...

 One of America's most buzzing EDM magazines published this article - 

Hailing star jocks like Avicii is one thing, yet the article gets profoundly banal and almost callow, as an attempt to define the current status of EDM and its leading exponents ! The writer skips the most inherent characteristic of EDM .. Sound !  Do we rephrase this junta as Exponential Dunce Muzak ?

Further hilarious is the response of the boy wonder,  sound whiz, Avicii - " even though I could beat mix in my sleep doesn't allude any kind of respect which I find deeply insulting ... " Obviously he is as ' pre-programmed and hands-in-the-air ' as David Guetta or the next Electric Daisy Champion ! "











Ableton Live9

Ableton Live 9 is out ! Packed with a fresh retinue of features, functions and tools to enhance work-flow and bolster real-time music creation and performance possibilities. Live9 hosts a fully re-vamped MAX MSP Suite + Instruments / New Ableton effects and EQ models along-with a new Audio -to-MIDI function + 32bit & 64 bit sound engine - Read the complete review here : By Will Kuhn ( Ableton developer / critique )














ACHTUNG !
# the browser window has been altered - is cumbersome to begin with.
# 32bit and 64bit versions require higher performance : CPU Hungry !
# The new toggle function (linear vs. scene launch) is highly confusing ! 

Kid Kishore

KID KISHORE ! 
Real Name : Hari Shankar Kishore

Kid Kishore is a Danish musician, DJ and producer. He describes his own music as "square, fast, alternative, and Indian-inspired" ; His own genre - the so-called ‘perker tech (literally "paki-tech" when translated from Danish). A decade into 2007, his musical repertoire reached a broader Danish audience. Kid Kishore's furious and animated rudiments on the mixing decks is often matched by an endless cavalcade of musical preparation and taste. A total contrast of dub, retrosonic, break-core, bhangra and kitsch Indianism. Often confused about his various and sudden name changes, he is currently named DJ HVAD : On with paki-tech !




# SYGNOK IS A HARDCORE LABEL. 


Recent Performance @ Bibliotek Kulturveate : Copenhagen.

STOP PRESS ! KID KISHORE / RAVANA / BAGULA BHAGAT : ALL SET TO SLAM NEW DELHI !
REPRODUCE AND DELHI ELECTRONICA SUPPLY PRESENT THE
KID KISHORE INVASION @ OUT OF THE BOX 3rd May 9pm. 




MONGOLIAN NAZI MUSIC ?!

Via Dangerous Minds : Its open to speculation, and hilarious interpretations, that a bunch of Mongolians are masquerading as Nazis surrounded by women in fur .. in a music video replete P Diddy style rap and Hollywood 'bling and action' ! ( a bit of a Carpenter's melody in the interlude ) This is gold .. Adolf may or may not approve, Kim Junior may ignore, yet the mongols fascist crew are here to make a statement ! Nazi Rap - Mongolian Style ... Move over Gangam Star !


Autechre Exai


AUTECHRE is back ! Exai : ALBUM # REVIEW : 2013









Maareach

Introducing Maareach { mythological deer : a 'mirage' as a metaphor / allure } ! Producer, DJ and 'kitsch' sampling agent ! Based in New Delhi, Shravan a.k.a Ravana and now Maareach, re-emerging and re-inventing his moniker via Drum N Bass/Jungle/Break-core. His new songs are raw, gritty and with thought provoking form - gradually inviting the listener to a dark experience. The perverse use of retroactive speeches, voices and old Bollywood songs, over a smokey canvas of sampled sounds and relentless hard quantized beats chuffed with dubby bass-lines and psychedelic washouts. The sound of Maareach, when compared to the current trends of ' producer perfect projects ' and VST Hedonism, are of  high contrast, loaded with anti-orthodoxy and a clear upstart musical urge ...







LISTEN / SHARE / Support Indie Music : 

https://soundcloud.com/maareach




Black Current


ELECTRONIC MUSIC AND SOUNDS FROM PAKISTAN!

BREAKING THE WAVES ... 





Renoise

Renoise is an expandable Digital Audio Workstation (DAW) based on a Tracker Interface™. Renoise lets you record, compose, edit, process and render production-quality (upto 96khz - 32bit : WAV/AIFF/FLAC/Etc ) audio using a tracker-based interface and embedded widgets. It features a wide range of built-in audio processors, DSP chain functions, automation, alongside support for all commonly used VST instrument and effect plug-in formats.

In a tracker system, the music runs from top to bottom in an grid, instead of conventional way (left to right ) where in sampled audio and midi is further chained into tracks or pattern. Several patterns and sub-patterns when arranged in a certain order make up a song. Editing in a pattern grid lends itself very well to a fast and immediate keyboard-based workflow. 


Available for MAC/Windows/Linux 

Roland Kovac

Roland Kovac ( born 7th November 1927 in Vienna ) is an Austrian jazz musician, with a vast repertoire on piano , clarinet and saxophone. Further dwelling into abstract composition and synthesis, Roland developed a niche for creating classically emotive electronic music, in an age where synthesizers were just about becoming comprehensible to the musical crowds. In 1980, Roland released Computer on the label - (Selected Sound MUSIKVERLAG - Hamburg DE). Completely designed and composed with analog synthesizers and sequencers, this album is rare and exceptional in terms of early electronic music and the audio adventures concocted by Kovac alone. A strong foundation based on the classical and jazz rudiments can be felt through the contrasting and dynamic synthesizer based performances - yet remaining totally minimal and modal in nature. Computer, as an album is about rarified synthesis and analogous textures. A definite and retrospective listen for all those who dream of sound and wires ...


worlds first open source, hackable, monophonic synthesizer

Meeblip is the worlds first open source, hackable monophonic synthesizer. Meeblip is an hybrid of digital waveforms and analog filters. The synthesizer, like most modern monophonic analog synthesizers is equipped with MIDI and CC functions, which makes it ideal for studio as well as live performance. Since the hardware and schematics of the Meeblip are totally open source, many developers and hackers around the world, have used this device to create mutations and hybrid synthesizers. Meeblip's creators are  believers in Open-Source hardware, attracting hundreds of DIY synthesizers enthusiasts. Modify anything, buy new components to add to the Meeblip : or build complete kits and sell your own builds. One of the most adventurous projects to  create and share synthesizers in the open source world . (Find out more about open source hardware and the MeeBlip)

Meeblip is designed by James Grahame, synthesist, aficionado of things both digital and retro, and engineer at Reflex Audio, in collaboration with Peter Kirn and Create Digital Music.  
http://meeblip.com/
http://freedomdefined.org/OSHW 



states are violent institutions


OP1

Teenage Engineering presents the OP1 (Operator One). A portable battery operated synthesizer, sampler and virtual tape machine. 
Key features 
# 8 Synthesizer Engines ( Subtractive / Wave / FM etc )
# Controller : Acts as a standard Midi Controller for all  DAW/VST
# FM Radio & G-force ( assignable to Effects for motion controller results )
# Sampler : Built in 4 track virtual tape machine for sampling upto 4 tracks.
# Built in EQ / Drive / Effects.
# Built in sequencer and pattern memory.


OP1 is now Available : $ 849. http://www.teenageengineering.com/products/op-1



Dying vet’s ‘fuck you’ letter to George Bush & Dick Cheney

A letter from Tomas Young ( Ex-Iraq war soldier / terminally ill ) to the ex president of America, "Bush" and his favorite pal "Dick" - 















To: George W. Bush and Dick Cheney
From: Tomas Young
I write this letter on the 10th anniversary of the Iraq War on behalf of my fellow Iraq War veterans. I write this letter on behalf of the 4,488 soldiers and Marines who died in Iraq. I write this letter on behalf of the hundreds of thousands of veterans who have been wounded and on behalf of those whose wounds, physical and psychological, have destroyed their lives. I am one of those gravely wounded. I was paralyzed in an insurgent ambush in 2004 in Sadr City. My life is coming to an end. I am living under hospice care.
I write this letter on behalf of husbands and wives who have lost spouses, on behalf of children who have lost a parent, on behalf of the fathers and mothers who have lost sons and daughters and on behalf of those who care for the many thousands of my fellow veterans who have brain injuries. I write this letter on behalf of those veterans whose trauma and self-revulsion for what they have witnessed, endured and done in Iraq have led to suicide and on behalf of the active-duty soldiers and Marines who commit, on average, a suicide a day. I write this letter on behalf of the some 1 million Iraqi dead and on behalf of the countless Iraqi wounded. I write this letter on behalf of us all—the human detritus your war has left behind, those who will spend their lives in unending pain and grief.
I write this letter, my last letter, to you, Mr. Bush and Mr. Cheney. I write not because I think you grasp the terrible human and moral consequences of your lies, manipulation and thirst for wealth and power. I write this letter because, before my own death, I want to make it clear that I, and hundreds of thousands of my fellow veterans, along with millions of my fellow citizens, along with hundreds of millions more in Iraq and the Middle East, know fully who you are and what you have done. You may evade justice but in our eyes you are each guilty of egregious war crimes, of plunder and, finally, of murder, including the murder of thousands of young Americans—my fellow veterans—whose future you stole.
Your positions of authority, your millions of dollars of personal wealth, your public relations consultants, your privilege and your power cannot mask the hollowness of your character. You sent us to fight and die in Iraq after you, Mr. Cheney, dodged the draft in Vietnam, and you, Mr. Bush, went AWOL from your National Guard unit. Your cowardice and selfishness were established decades ago. You were not willing to risk yourselves for our nation but you sent hundreds of thousands of young men and women to be sacrificed in a senseless war with no more thought than it takes to put out the garbage.

I joined the Army two days after the 9/11 attacks. I joined the Army because our country had been attacked. I wanted to strike back at those who had killed some 3,000 of my fellow citizens. I did not join the Army to go to Iraq, a country that had no part in the September 2001 attacks and did not pose a threat to its neighbors, much less to the United States. I did not join the Army to “liberate” Iraqis or to shut down mythical weapons-of-mass-destruction facilities or to implant what you cynically called “democracy” in Baghdad and the Middle East. I did not join the Army to rebuild Iraq, which at the time you told us could be paid for by Iraq’s oil revenues. Instead, this war has cost the United States over $3 trillion. I especially did not join the Army to carry out pre-emptive war. Pre-emptive war is illegal under international law. And as a soldier in Iraq I was, I now know, abetting your idiocy and your crimes. The Iraq War is the largest strategic blunder in U.S. history. It obliterated the balance of power in the Middle East. It installed a corrupt and brutal pro-Iranian government in Baghdad, one cemented in power through the use of torture, death squads and terror. And it has left Iran as the dominant force in the region. On every level—moral, strategic, military and economic—Iraq was a failure. And it was you, Mr. Bush and Mr. Cheney, who started this war. It is you who should pay the consequences.
I would not be writing this letter if I had been wounded fighting in Afghanistan against those forces that carried out the attacks of 9/11. Had I been wounded there I would still be miserable because of my physical deterioration and imminent death, but I would at least have the comfort of knowing that my injuries were a consequence of my own decision to defend the country I love. I would not have to lie in my bed, my body filled with painkillers, my life ebbing away, and deal with the fact that hundreds of thousands of human beings, including children, including myself, were sacrificed by you for little more than the greed of oil companies, for your alliance with the oil sheiks in Saudi Arabia, and your insane visions of empire.

I have, like many other disabled veterans, suffered from the inadequate and often inept care provided by the Veterans Administration. I have, like many other disabled veterans, come to realize that our mental and physical wounds are of no interest to you, perhaps of no interest to any politician. We were used. We were betrayed. And we have been abandoned. You, Mr. Bush, make much pretense of being a Christian. But isn’t lying a sin? Isn’t murder a sin? Aren’t theft and selfish ambition sins? I am not a Christian. But I believe in the Christian ideal. I believe that what you do to the least of your brothers you finally do to yourself, to your own soul.
My day of reckoning is upon me. Yours will come. I hope you will be put on trial. But mostly I hope, for your sakes, that you find the moral courage to face what you have done to me and to many, many others who deserved to live. I hope that before your time on earth ends, as mine is now ending, you will find the strength of character to stand before the American public and the world, and in particular the Iraqi people, and beg for forgiveness. 

Tomas Young
Via Truth Dig // Dangerous Minds

mariah carey











CLAPTRAP PRODUCER$ AND FANCY SYNTHESIZER$

Here is yet another example of some self-styled " Pro Audio Star " sitting inside a ' plush rococo studio ' in New York, masquerading music production routines with lavish furniture and equipment ! Grooving with his minions on some utterly pedestrian hip hop beats and voices .. Its a party alright ! Why ? All for the next super synthesizer in town : The Moog Sub Phatty.
As pathetic this promo video looks and sounds compared to the synthesizer and its class !



The Moog Sub Phatty is the latest creation of Moog Music, priced at an elegant $1099. This brand new synthesizer, like previous Moog creations, is superb in sound and robust in features and build.
As always, most Moog synthesizers hardly require any aplomb or further praise. The rich analog sound quality backed by the vast synthesizer legacy of Bob Moog, is enough to convince producers and sound aficionados across the world.

Question is .. 
Why does Moog ( or any decent synthesizer brand ) waste their time and money with citations and endorsements from such Pro Audio Quacks and Studio Jocks ( the likes of Jerry Wong ) ? Just to promote and vouch such amazing and simple musical instruments ?
It's like getting Arnold Schwarzenegger to talk about health food ?!

F**k these froufrou claptrap producers. Self-aggrandized studio buffoons at best ... Even a child can understand and use a Moog synthesizer ! Eventually this mega-dork will sample the Moog .. as every other hip hop producer does, with an Akai MPC !

   



On your mind ?